SOCIAL VOX

My thoughts on the world around me

Caroline Kennedy Unfairly Treated Because She’s a Woman?

I wrote earlier today about Caroline Kennedy’s poorly managed run at Hillary Rodham Clinton’s empty Senate seat. I noted that her withdrawal was likely a disservice to women in politics.

There is a perception among numerous political insiders, however, that Ms. Kennedy was treated too harshly by the media and other politicians who questioned her credibility and demeanor. In fact, their contention is that she was treated much more critically than a man would have been.

There still exists a glass ceiling in politics. In the House, 75 of the 435 members are women. In the Senate, just 17 are women. Donna Brazile, a political analyst, made an important point:

Obama inspired us to turn the page, and now women seem stuck in the table of contents[.]

One thing is certain, the margin of error for a historically disadvantaged candidate (e.g. women, African-Americans) is much smaller. When David Axelrod came on board as President Barack Obama’s chief strategist for the campaign, Axelrod made it clear to Obama that he would have to be on his game at all times. When you try to break through old customs, it is imperative to not give anyone an excuse to vote for your opponent. Unfortunately, that is the state of politics today. We have made history by electing an African-American president, but that doesn’t mean that we, as a whole, won’t be more critical of a female or African-American candidate than we would of a white one.

Kennedy’s camp should have prepared her better. She could ill afford to appear weak or unprepared, particularly in the rough setting for politics that is New York. Had she known where all the blows were coming from, perhaps we would be writing about a different result today.

January 23, 2009 Posted by | Barack Obama, Media, Politics, Women's Issues | , , , , , , , , , , , , , , , | 2 Comments

Political Institutes and the Dystopian Future of Film

Films advancing political views are as old as films themselves.

In 1915, “The Birth of a Nation” provoked controversy by suggesting that the Ku Klux Klan restored order in the post-Civil War South, allegedly endangered by abolitionists, freedmen, and politicians from the North.

However, it is striking to learn that there are institutions that actively use films to advance a political ideology.

What is the Moving Picture Institute? From their “History” section:

Founded in 2005 by human rights advocate Thor Halvorssen, the Moving Picture Institute is unlike any other foundation dedicated to promoting the ideal of liberty. At MPI, we believe that film, more effectively than any other medium, can bring the idea of freedom to life. In keeping with that belief, we are working to ensure that film becomes a center of genuinely democratic art in the coming years. Our goal is to guarantee that film’s unique capacity to give shape to abstract principles—to make them move and breathe—is used to support and promote liberty. Toward that end, we fund films from development through post-production, support up-and-coming filmmakers, and serve as a high-level intern placement service.

Historically, the film industry has been largely unconcerned with developing a distinctive and nuanced portrait of deep-seated American values such as free speech, freedom of association, and the free enterprise system. Such values have been defined and defended almost exclusively in print and through oral argument. But as visual media become increasingly prevalent, we depend more heavily upon movies for our philosophical, moral, and social guidance. If the ideal of freedom is to endure—if it is to maintain its vitality and relevance in our society—it must find its way into film, our most vital, relevant, and far-reaching art form. Freedom must be seen to be believed.

If the masses truly are relying upon movies for guidance in these critical matters, then this may be the beginning of a very slippery slope within the film industry: what stops an institution, or even a government, from producing films that attempt to brainwash? While this may seem like a topic reserved solely for a science fiction novel, let us not underestimate the influential power of the motion picture.

The problem is that media, in recent years, have become battlegrounds for partisan politics. “Outfoxed” tackled this issue with respect to the news media:

This is not to say that the Moving Picture Institute’s films, which have a right-wing slant, are invalid. Here are two of them:

The foreseeable problem is an unnatural escalation of left- and right-wing films being produced — not unlike a nuclear arms race. Both sides of the political aisle would compete for your attention, your loyalty. For two hours, while fact blends with fiction, you become their social experiment.

Keep your eyes open, and be wary of the political propaganda. Films are likely the next frontier.

January 18, 2009 Posted by | Art, Film, Media, Politics, TV | , , , , , , , , , , , , , , , , | 2 Comments